2025:
The Annual Collection
 
I started photographing nearly nine years ago, learning by experimenting as I wandered New York City each weekend. Everything was new and progress came quickly. Over time, my technical control of the camera became second nature, and I consistently created “pretty” photos that appealed to many people. While the positive feedback felt encouraging, my growth had stalled. The challenge became shaping a perspective that felt genuinely mine, standing apart from the countless photos we encounter daily.
The last couple of years brought a shift in my approach. I realized I had often been creating images with others in mind, aiming for what I thought they would connect with. As my mindset shifted toward photographing for myself, my no-longer-casual hobby became more satisfying. I started searching for perspectives that were unconventional or abstract—reflecting my own creative vision—and a clearer sense of my style began to take shape.
Here are a few moments from 2025 that stand out to me, and what I was thinking along the way.
FiDi Snowstorm
I’m never more eager to grab my camera than when it snows. It transforms even the most ordinary street corners into something completely new. Thankfully, this February snowfall came on a weekend night, allowing me to wander the Financial District until 1 AM, with few people around.
Night Shift in Gotham
I was shooting an empty street when a Con Edison van parked in front of me. Thinking my shot was ruined, the worker called out, “If you like that, get ready for this.” He lifted a manhole cover with a crowbar, releasing a burst of steam that made the scene look straight out of a Batman comic book.
Las Vegas,
Between Meetings
In April, I was in Las Vegas for a work trip that filled my days but left my nights open. While most people spend their downtime at the blackjack table or a show, I chose a different route. On back-to-back nights, I walked the Strip, taking in the street performers, liquored tourists, and flashing signs. It was the perfect backdrop to photograph, with an energy that felt familiar to New York.
Sin City Spins
When I returned, I showed my wife Brooke this photo. Her reaction was, “Were you on drugs when you took this?” It was a joke, but she clearly didn’t care for it. I was upset at first, then saw the positive: not everyone may appreciate it, but I had created something unique. To reflect the chaos of Vegas, I cranked my camera mid-shot like a steering wheel, creating a spinning blur.
Central Park across the Seasons
Central Park is by far my most photographed location, thanks to my dog, Chase. Having a dog in the city means you can’t just open a back door and let them out. You walk every day, no matter the weather. But living just off the park makes that routine feel far from a chore. We start each morning with a 45-minute walk through the park, where dogs can roam off-leash before 9 AM. He’s in his element running around, greeting other dogs, and chasing squirrels. Every photo here was taken on those walks, with Chase alongside me, keeping pace as we logged hundreds of miles and thousands of photographs across the seasons.
Skyline Spray
I was searching for a fresh take on the Midtown skyline, so I crouched below a rotating sprinkler to capture the feeling of summer. Each time it swung back around, I had to jump aside. Chase was confused at first, then decided it was a game and kept leaping through the spray, getting soaked.
Symmetry in Motion
I’ve walked this famous stretch time and again but rarely take the shot because it’s widely photographed. From a nearby bridge I found a new angle using the cutouts as a frame, lined up the lampposts, and waited for the dog and owner to complete the symmetry.
Evening Wanderings
I’m not a particularly spontaneous person, except when I photograph, which usually leads to my best work. Each weekend I choose a neighborhood based on gut feeling as I’m heading out the door. I prefer to start a couple of hours before sunset to catch three distinct phases of light: late afternoon warmth, soft tones of sunset, and dim blue light leading into night. When I step out of the subway, I wander whichever direction looks most interesting and take it one block at a time, letting the evening light guide the rest.
Soho
Flatiron Building
Bushwick
Red Hook
Chelsea
Upper West Side
Dumbo
Milan & The Italian Lakes
In September, Brooke and I took a weeklong trip to Italy, starting in Milan and then heading north to the quieter Lake Como and Maggiore. To keep myself from slipping into photography “tunnel vision” during our days together, I’ve made it a habit on vacations to wake up at sunrise and go out alone. It lets me sink in and explore a place while it is still waking up. Milan felt like an extension of the urban scenes I shoot in New York, while the lakes offered scenic landscapes outside my typical focus, which was a refreshing contrast.
Newsstand Reflection
The Duomo is Milan’s most recognizable landmark, so I looked for something beyond the obvious head-on shot. I turned away and found its reflection in a newsstand window filled with magazines, the metro’s red M visible at the top of the frame. I waited for a commuter to emerge from the station, adding a final human element to complete the frame.
Surface Level
Paddling a kayak straight from our rental house on Lake Como, it felt surreal to sit on the calm water. Lowering my camera just above the surface, I caught the panoramic reflection and made the sailboat appear larger-than-life.
From the Archives
Each year I take far more photos than I can process, so I’m always discovering overlooked images from the past. Here are a few from the archives.